The ‘Oude Civiele Griffie’ (1537) on the Burg square is one of the oldest Renaissance building in Flanders. However, it’s present-day beautiful façade seems to be the result of a historicist reconstruction by city architect Louis Delacenserie in 1875 and later renovations. The statues, which were destroyed by the French revolution, were replaced by new gilded statues by Hendrik Pickery in 1883.
The main sight is the former Aldermen’s Chamber of the Liberty of Bruges, both government and court room. It’s an opulent Renaissance room with a coffered ceiling, wood-panelling, wall hangings and paintings. The most impressive feature is the monumental and intricate 16th century mantelpiece, a tribute to emperor Charles V and the Hapsburg dynasty. We had a closer look at it because of its historical value, but found it rather awful. There is way too much going on. A central oak statue represents Emperor Charles V surrounded by the coats of arms of the many regions he ruled over, interspersed with putti. He is flanked by the statues of his paternal and maternal grandparents. Portrait medallions show the emperor’s father, mother, sister and aunt, commander Charles de Lannoy, and King Francis 1 of France, husband of the emperor’s sister Eleanor.
Under the wooden upper part an alabaster frieze telling the biblical story of Susanna - unjustly accused of adultery by two elders, but rescued by Daniel's cross-examination - reminds the aldermen of their responsibility. The four chubby putti decorating the corners of the mantelpiece represent the judicial virtues of temperance, prudence, justice and strength. The black fireback, finally, shows a wild man and a wild woman with three thistles between them holding the coat of arms of the Liberty of Bruges.
On the opposite wall there are portraits of the descendants of Charles V: Philip II, Isabella and Archduke Albrecht, Philips III, Philips IV, Charles II, Charles VI and Maria Teresa. On a desk there are three historic silver ink stands. The tasselled cord next to one of them is connected to a bell that was used to call people into the Aldermen’s’ Chamber. We tried to imagine how the waiting accused must have felt by looking at a painting in the museum. It shows the public execution by hanging on the Burg square in 1767 of an old man found guilty of fraud by the Council of the Burgomasters and Aldermen of the Liberty of Bruges.