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Ogden Museum of Southern Art

626 Reviews

Ogden Museum of Southern Art

626 Reviews
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925 Camp St, New Orleans, LA 70130-3907
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Ghost & Vampire Tours
New Orleans Ghost, Voodoo & Vampire Walking Tour
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New Orleans is infamous for its spooky past, filled with tales of voodoo, vampires, ghosts, and witches. During this walking tour, save time with a guide who knows the quickest routes around the Big Easy and brings the folklore and history of the city to life, all during the creepiest time of day—the night. Plus, a centrally located meeting point makes for a hassle-free, fun evening.
$25.00 per adult
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An enjoyable overview of a particular area of US art, even with significant gallery change in progress. I liked the Benny Andrews exhibit.
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This museum is a piece of heaven in New Orleans! The art was incredible. In addition I had a chance to learn about Southern artists, both their biographies as well as what their pieces were communicating. I told so many photos and continue to research the artists who were
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This is a beautiful museum with wonderfully curated shows. My daughter and I spent quite a bit of time there and were thoroughly absorbed by the William Christenberry show: his wide-ranging work, influences and commitment to the complexities of the South. The building, itself,
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Response from Melissa K, Public Relations Manager at Ogden Museum of Southern Art
Responded Feb 12, 2020
Thank you! The William Christenberry exhibition is a show that we're really proud of and we're so happy to hear that you enjoyed it.
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Stirring exhibits, curated to provide the visitor with historical and current stories of NOLA's creative, less recognized, artists - museum layout gives the participants a chance to take in each exhibit, connecting it to NOLA's powerful creative capital
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Response from Melissa K, Public Relations Manager at Ogden Museum of Southern Art
Responded Feb 12, 2020
We are so happy to hear that you enjoyed your experience at the O! Come back and see us again soon.
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I thought this would be more folk art. There is some and it is good. But I was caught up in the William Christenberry photos (not so much his art). He followed the route James Agee and Walker Evans took for their photo essay on southern poverty in the 1930s and took pictures
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